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| Education | Click thumbnails to view larger | |
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1978 |
Stained Glass Workshop with Lawrence Lee, Harbourfront Studios, Toronto, Ontario |  |
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1977 |
City & Guilds Certificate in Architectural Glass, Swansea College of Art, Wales | |
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1977 |
Journeyman apprentice with Patrick Reyntiens, England | |
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1973-76 |
Three year apprenticeship in stained glass at the Studio of Theo Lubbers, Montreal, Quebec | |
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1972 |
Bachelor of Arts, with Distinction,
University
of Alberta, Edmonton, Alberta |
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| Participation | ||
| 2005-09 | Member of an artist’s collective, “The River Group”, which raised public awareness of the Thames River as defining element of London’s identity through art-making, writing, public speaking, fundraising and travelling exhibitions. |
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2004 |
Curator and keynote speaker for Playing With Fire, one-day exhibition of stained glass sponsored by the Centre for Creativity, King's College, University of Westem Ontario | |
| 2000 | Member of
the board for the London
Regional Art and Historical Museums as Canadian Artists Representation
delegate |
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| 1997 | Workshop
leader and keynote speaker at The Atlantic Conference of Glass Artists,
Halifax, Nova Scotia |
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| 1987-89 | Executive member of Canadian Artists Representation, London Chapter | |
| 1987-88 | Guest curator for Thunder And Lightning, an exhibition presenting contemporary work in wood, metal and stained glass, at the London Regional Art and Historical Museums | |
| 1983 | Member of
the Steering Committee for the proposed Canadian
Gallery of Clay and Glass in Waterloo, Ontario |
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| 1982-84 | Member of the Board for Artists in Stained Glass, a national organization based in Toronto | |
| Bibliography | ||
| 2002 | Glory
Boy, published by Aylmer Press, written by Ted Goodden. This
book illustrates - through collage and linocut prints - the stained
glass creative process more info ... |
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| 1998 | Contributing
editor and author of the preface for Bealart: 80 Years of Experiment,
a catalogue which offers an historical overview of Beal' s art department
and its contribution to Canadian visual arts |
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| 1994 | Essay
on colour and light, plus an obituary for Theo Lubbers, The
Leadline, Toronto, Ontario |
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| 1991 | Essay entitled,
"Regionalism Reconsidered," SITE/SOUND, March/April
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| 1990 | Editor of The Leadline, The Burleighfield Experience | |
| 1988 | Guest curator
and author of catalogue for Thunder And Lightning: New Work
in Wood, Metal and Stained Glass, London
Regional Art and Historical
Museums |
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