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| Participation | ||
| 2006-10 | Stained glass workshop leader at L.B. Pearson School For the Arts and occasional lecturer at H.B. Beal Secondary School Art Program | |
| 2010 | Co-founder, with Lynette Richards, of the London Stained Glass Guild | |
| 2005-09 | Member
of an artist's collective, The River Group, which raised public awareness
of the Thames
River as defining element of London’s identity through
art-making, writing, public speaking, fundraising and travelling
exhibitions. |
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|
2004 |
Curator and keynote speaker for Playing With Fire, one-day exhibition of stained glass sponsored by the Centre for Creativity, King's College, University of Westem Ontario | |
| 2000 | Member of
the board for the London
Regional Art and Historical Museums as Canadian Artists Representation
delegate |
|
| 1997 | Workshop
leader and keynote speaker at The Atlantic Conference of Glass Artists,
Halifax, Nova Scotia |
|
| 1987-89 | Executive member of Canadian Artists Representation, London Chapter | |
| 1987-88 | Guest curator for Thunder And Lightning, an exhibition presenting contemporary work in wood, metal and stained glass, at the London Regional Art and Historical Museums | |
| 1983 | Member of
the Steering Committee for the proposed Canadian
Gallery of Clay and Glass in Waterloo, Ontario |
|
| 1982-84 | Member of the Board for Artists in Stained Glass, a national organization based in Toronto | |
| Bibliography | ||
| 2009 | "A Personal History of the stained glass department of Hobbs Hardware and Manufacturing" written and presented as the Calder lecture to the Baconian Society of London (copy available at the London Room of the central London Public Library. | |
| 2009 | Condensed version of essay Regionalism Reconsidered published in One Hour Empire issue #2 Space and Place Toronto, Ontario | |
| 2007 | Expanded essay Regionalism Reconsidered written for catalogue "Ted Goodden the Ridgeway Windows" at Mcintosh Gallery UWO | |
| 2002 | Glory
Boy, published by Aylmer Press, written by Ted Goodden. This
book illustrates - through collage and linocut prints - the stained
glass creative process more info ... |
|
| 1998 | Contributing
editor and author of the preface for Bealart: 80 Years of Experiment,
a catalogue which offers an historical overview of Beal' s art department
and its contribution to Canadian visual arts |
|
| 1994 | Essay
on colour and light, plus an obituary for Theo Lubbers, The
Leadline, Toronto, Ontario |
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| 1991 | Essay entitled,
"Regionalism Reconsidered," SITE/SOUND, March/April
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| 1990 | Editor of The Leadline, The Burleighfield Experience | |
| 1988 | Guest curator
and author of catalogue for Thunder And Lightning: New Work
in Wood, Metal and Stained Glass, London
Regional Art and Historical
Museums |
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| Education | ||
| 1978 |
Stained Glass Workshop with Lawrence Lee, Harbourfront Studios, Toronto, Ontario |  |
| 1977 |
City & Guilds Certificate in Architectural Glass, Swansea College of Art, Wales | |
| 1977 |
Journeyman apprentice with Patrick Reyntiens, England | |
| 1973-76
|
Three year apprenticeship in stained glass at the Studio of Theo Lubbers, Montreal, Quebec | |
| 1972 |
Bachelor of Arts, with Distinction,
University
of Alberta, Edmonton, Alberta |
|
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